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Bio
Soi Hong
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Soi Hong’s practice is grounded in a sustained interest in language, visual structures, and systems of classification. She works across drawing, graphic design, artist book production, and research-based projects. Her work often begins with concrete, institutional forms—such as printed documents, official records, library markings, and linguistic catalogs—which she deconstructs and reassembles into visual formats. In Regulation, for example, she analyzes and reorganizes the standardized formats of South Korean government documents, using risograph printing to visualize their structural logic. In Important, she collects underlined passages from publicly borrowed poetry books and composes them into a continuous drawing, transforming unseen traces of reading into visible marks. The project What happened? investigates the movement of looted British Museum objects during World War II, reconfiguring their trajectories into diagrams and schematic drawings. These works are presented in the form of artist books, exhibitions, publications, and workshops. Her background in visual communication design and traditional painting informs both her drawing and printing processes. Through NOWWE Publishing and Sculpture Poetry, she produces artist books as sculptural and poetic objects, using experimental typography, handwritten elements, repetition, and systems of categorization to explore the structural relationships between language and image.